Fencing gorget

Just finished a new fencing gorget for my wife. She has after a couple of years off taking up historical fencing again and wanted a new fencing gorget. She had tried one model that she really liked so I did a similar one. Nothing period at all with this one, but since it should fit with a modern fencing mask and make my wife happy I am totally okay with that!

I made the neck part in 1,2 millimeter steel.


The rest I made in 1 millimeter steel and painted it all black, mostly to protect from rust.

I attached it all to a collar made of green goat leather.

I think it will protect well, and looks really nice, in its modern way.


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red currants and honey

I just bottled a melomel made from red currant and honey. It got a really nice golden red colour and tasted almost as good, honey sweet but with a bit acidity from the red currant. A refreshing drink with a subtle but clear taste. This will probably be the go to drink during the hot summer days to come.

3,5 kg honey

1,2 kg red currant boiled in a steam juicer (gave around 1,25 liter liquid)

5,75 liter water

(wild)yeast (my own)

I boiled the honey with some of the water, added water and red current cooled it down to 20 degrees Celsius and added the yeast.

OG: 120

FG: 30



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Rubber spearhead

Just put together a training spear with a rubber spearhead and rattan shaft. Lets see how much fun can be had with this

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Jaket of leftovers

I wanted something new for my 1600-century heavy fighting kit and looked through our fairly large fabric collection and among the unsorted “leftover, nothing planned etc”-pile i found what was left after we changed the chair seats on some old chairs we have and some curtains. Together I think the read and white of the fabrics looks nice. I based the jaket mostly on the description in “The King’s Servent” by Caroline Johnsson (if you don’t have it, buy it!).

Over all I think it turned out rather well. It is modern scrap fabric, but since it will be thorn, beaten, dirty and so on I am okay with not using expensive period fabric for fighting garment all the time.



With armour but not the correct shoes of course.



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Yarrow for ale

Yarrow is one of many herbs that were used in beer during medieval and earlier times, before the domination of hops. As always close to none recipe with proportions can be found, so we have to experiment.

During a walk me and some brewing inclined friends happened to find some yarrow and of course we decided to make a first test. We took 3 gram of the flowers and 0,75 liter of water and boiled it for an hour. Every five minutes we tasted it. We have done a lot of similar tests with for example bog myrtle. The same proportions of herb and water with that gave a very distinct taste after fifteen minuts (our notes says “a punch in the face with bitterness”). This time we got almost no taste. Maybe in the end of the hour we got a hint of flowery taste, but no more. Probably we need a lot more yarrow or the back in the days used it in a another way. More tests will probably follow.


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Marco Docciolini 1601 Fencing treatise-handout

Below is a handout from a class on Docciolini that I have held a couple of times.

This is a Florentine manual, so much in the system, as well as words and concepts are similar to contemporary manuals.

Words and concepts

Braccio (plural braccia): Florentine unit of measure, 58,3 cm. Corresponds to approximately one-third of a contemporary man’s length, as well as the length of a normal step for that man.

Punto: Where you aim and usually attack. Most often the opponent’s right shoulder.

Sfalsata:  Change of line with the sword. In other manuals sometimes called cavare or cavazione.


Picture of his footwork

This is the only picture in his manual and it explains his footwork.

The radius of the inner circle should be a braccio, the outer two braccia.

Dirittura: The line from point A to point C.
Traverso: The line from A to E, A to G, respectively.  Notice that are two (right and left).


The feet should usually be a braccio apart, the steps are of the same length. There are both lunging and passing steps.

In starting guard the right foot is usually on B, the toe pointing forward. Left foot on C, pointing left. The center of the left foot should be on the line dirittura, so the feet should be linear. The sword pointing at punto (see above). My interpretation is that it is the front of the foot (toes) that is on B.


There are two straight guards, high and low, as well as four counter guards, two low and two highs. The high and the low resemble each other. Feet usually as above.

Low guards

Right knee slightly bent, sword hand half a step (half braccio) in front of the knee. Right arm low, in line with right ear. The hand in line with the right knee. False edge on the sword upwards. The weight more on the left foot.

High guards

As above, but slightly closer together with your feet, straight knees. Sword hand extended at shoulder height.


On a slight angel against opponent, either to the left or right, depending on which angel the opponent’s sword is at. This is what he normally recommends.

Attack outside

If I want to attack my opponent on the outside, I make an lunge with my right foot and place it a foot width to the left of A and let my left foot be placed on G. To recover, I take my right back to F.

Attack inside

If I want to attack my opponent on the inside, I make an lunge an place my right foot a foot width to the right of A and let my left foot be placed on E. To recover, I take my right back to D.

My interpretation is that both of the attacks above are when an opponent advances to attack. If I want to attack first I do it in similar ways (more on that in another class).


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Cutting clay

A, for me, fairly new way of training cutting is to cut clay. But I have done it a couple of times this summer and I like it! The benefits are many: You can use blunt swords and still get a good feed back if you are doing it right or wrong, since you can reuse the clay many times it is very cheap, it really gives you a good feed back if you are cutting correctly (more of that below) and of course it is fun!

I just use ten kilos of the cheapest pottery clay without chamotte that I could find. So to begin with is not very expensive. But the best part is that as long as the clay don’t get to dry I can  reuse it many times!


The feedback it gives is also very nice. I I cut correctly the sword moves effortless through the clay. But if I cut wrong, for exempel cut properly through or diverge from the plane of movement the sword get stuck immediately. I can also see my cut in the clay as a nice bonus.

Compared with for example water bottles clay it works much better I think. Of course proper meat are more of the “real thing” and the educational value is higher. But it is much more expensive and to be honest I am a bit hesitant to use it to much from a moral point of view.

So in short for cutting training I must recommend clay!


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